Orchestra

  • Harpsichord Concerto for Harpsichord and String Orchestra (4,4,4,2,1 or larger preferred, 2,2,2,2,1 possible), 16’20” 
  • Watercolors for Orchestra (2,2,2,2 – 2,2,2,0 – timp, 2 perc, hp, strings), 7’20” 
  • Farewell Dream Garden for Soprano, Flute, String Orchestra (4,4,3,2,1, or larger), 11’30” 
  • Unveiling for String Orchestra (4,4,3,2,1, or larger), 8′ 
  • Lush for Soprano Saxophone, Piano, String Orchestra (4,4,3,2,1, or larger), 2 French Horns, Bass, Drums, 4’30” 
  • Three Laments of Heloise for Flute (or Piccolo), Oboe, Clarinet, Bassoon, Strings (Quintet, or 4,4,3,2,1, or larger), Frame Drum, Tambourine, 8′ 
  • Jubilance and Lament (Prelude and Fugue in 4 Voices) for String Orchestra (4,4,3,2,1 or larger), 5′ 
  • Far From Home, for Piano and String Orchestra (4,4,3,2,1 or larger), 3’15” 
  • Desire (film score) for Symphony Orchestra (1, 0, 1+bass, 0 – 2, 1, 2, 0 – 2 perc, pno, hp, str), Duration: 2’20” 
  • Bubble Tree (film score) for Symphony Orchestra (1, 2, 2, 2 – 2, 2, 2, 1 – timp, 2perc, hp, str), 1’45” 
  • The Cathedral (film score) for String Orchestra (4,4,3,2,1, or larger) and Harp, 2’15” 
  • Birds (film score) for String Orchestra (4,4,3,2,1, or larger), Harp, and Vibraphone, 3′ 
  • War and Peace (film score) for Symphony Orchestra (0, 0, 0, 0 – 2, 3, 3, 1 – timp, 5perc, pno, str), electric guitar and synthesizer, 4′ 

Chorus

Voice

  • Rubble Becomes Art for Mezzo Soprano, Flute, Bassoon, and Guitar, optional: Mezzo Soprano, Violin, Cello, and Guitar, 14′ 
  • Farewell Dream Garden for Soprano, Flute, String Orchestra (4,4,3,2,1, or larger), 11’30” 

Piano

Harpsichord

  • Harpsichord Concerto for Harpsichord and String Orchestra (4,4,4,2,1 or larger preferred, 2,2,2,2,1 possible), 16’20” 

Violin

  • Rubble Becomes Art for Mezzo Soprano, Flute, Bassoon, and Guitar, optional: Mezzo Soprano, Violin, Cello, and Guitar, 13′-15′
  • Abandon for Pierrot Ensemble (Flute, Clarinet, Violin, Cello, Piano) and Percussion, 5’15’
  • Glossolalia for String Quartet, 6’30”
  • Is Now Not Enough? for String Quartet, 8’30”
  • Grit and Glitz for String Trio (Violin, Viola, Cello), 8’30”
  • Three Monologues for String Quartet, 13’30”
  • First In Flight for Vibraphone and String Quartet, 7’45”
  • Jackpot for Violin, Cello, Bass Clarinet, Tenor Saxophone, Piano, and Marimba, 4’30”
  • Danse Macabre for Piano Trio (Violin, Cello, and Piano), 5′
  • Airborne for Flute, Violin, 2 guitars, and Piano, 3’10”
  • Fade for Alto Saxophone, Violin, Cello, and Electric Guitar, 4’30”

Viola

Cello

  • Triptych for Cello and Piano, 8′
  • Abandon for Pierrot Ensemble (Flute, Clarinet, Violin, Cello, Piano) and Percussion, 5’15’
  • Rubble Becomes Art for Mezzo-Soprano, Flute, Bassoon, and Guitar, optional: Mezzo-Soprano, Violin, Cello, and Guitar, 13′-15′
  • Glossolalia for String Quartet, 6’30”
  • Is Now Not Enough? for String Quartet, 8’30”
  • Grit and Glitz for String Trio (Violin, Viola, Cello), 8’30”
  • Three Monologues for String Quartet, 13’30”
  • First In Flight for Vibraphone and String Quartet, 7’45”
  • Jackpot for Violin, Cello, Bass Clarinet, Tenor Saxophone, Piano, and Marimba, 4’30”
  • Danse Macabre for Piano Trio (Violin, Cello, and Piano), 5′
  • Fade for Alto Saxophone, Violin, Cello, and Electric Guitar, 4’30”

Bass

  • Color Me Blue for Soprano Saxophone, 2 Vibraphones, and Double Bass, 5′

Guitar / Lute

  • Rubble Becomes Art for Mezzo Soprano, Flute, Bassoon, and Guitar, optional: Mezzo Soprano, Violin, Cello, and Guitar, 13′-15′
  • Parting for Baroque Lute or Guitar, 5’00”
  • Airborne for Flute, Violin, 2 guitars, and Piano, 3’10”
  • Fade for Alto Saxophone, Violin, Cello, and Electric Guitar, 4’30”

Flute

  • Rubble Becomes Art for Mezzo-Soprano, Flute, Bassoon, and Guitar, optional: Mezzo-Soprano, Violin, Cello, and Guitar, 13′-15′
  • Abandon for Pierrot Ensemble (Flute, Clarinet, Violin, Cello, Piano) and Percussion, 5’15’
  • Farewell Dream Garden for Soprano, Flute, String Orchestra (4,4,3,2,1, or larger), 11’30”
  • The Espionage – Flute Concerto for Flute and Piano, 11′
  • Snow Angels for Woodwind Quintet, 7’30”
  • Airborne for Flute, Violin, 2 guitars, and Piano, 3’10”

Oboe

Clarinet

  • Abandon for Pierrot Ensemble (Flute, Clarinet, Violin, Cello, Piano) and Percussion, 5’15’
  • Two Moods for Clarinet and Piano, 8′
  • Jackpot for Violin, Cello, Bass Clarinet, Tenor Saxophone, Piano, and Marimba, 4’30”
  • Snow Angels for Woodwind Quintet, 7’30”

Bassoon

  • Rubble Becomes Art for Mezzo-Soprano, Flute, Bassoon, and Guitar, optional: Mezzo Soprano, Violin, Cello, and Guitar, 13′-15′
  • Snow Angels for Woodwind Quintet, 7’30”

Saxophone

  • Lush for Soprano Saxophone, Piano, String Orchestra (4,4,3,2,1, or larger), 2 French Horns, Bass, Drums, 4’30”
  • Two Moods for Soprano Saxophone and Piano, 8′
  • Jackpot for Violin, Cello, Bass Clarinet, Tenor Saxophone, Piano, and Marimba, 4’30”
  • Fade for Alto Saxophone, Violin, Cello, and Electric Guitar, 4’30”
  • Invasion of Clowns for Saxophone Quartet, 2’40”
  • Color Me Blue for Soprano Saxophone, 2 Vibraphones, and Double Bass, 5’00”

Trumpet

French Horn

Trombone

Tuba

Percussion

  • Abandon for Pierrot Ensemble (Flute, Clarinet, Violin, Cello, Piano) and Percussion, 5’15’
  • First In Flight for Vibraphone and String Quartet, 7’45”
  • Jackpot for Violin, Cello, Bass Clarinet, Tenor Saxophone, Piano, and Marimba, 4’30”
  • Color Me Blue for Soprano Saxophone, 2 Vibraphones, and Double Bass, 5′
  • Inspector Bergen Returns for Percussion Ensemble, 3’20”
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