Orchestra
- The Lure of the Flowering Fern (2,1,2,2 – 2,2,1,0 – timp, 1 perc, str), 10’30”
- Earthrise for Orchestra (2,3(ca),2,2 – 2,2,3,1 – timp, 3 perc, str), 11’30”
- Watercolors for Orchestra (2,2,2,2 – 2,2,2,0 – timp, 2 perc, hp, str), 7’20”
- Unveiling for String Orchestra (4,4,3,2,1, or larger), 8′
- Is Now Not Enough? for String Orchestra (4,4,3,2,1 or larger)
- Harpsichord Concerto for Harpsichord and String Orchestra (4,4,4,2,1 or larger preferred, 2,2,2,2,1 possible), 16’20”
- Farewell Dream Garden for Soprano, Flute, String Orchestra (4,4,3,2,1, or larger), 11’30”
- Lush for Soprano Saxophone, Piano, String Orchestra (4,4,3,2,1, or larger), 2 French Horns, Bass, Drums, 4’30”
- Three Laments of Heloise for Flute (or Piccolo), Oboe, Clarinet, Bassoon, Strings (Quintet, or 4,4,3,2,1, or larger), Frame Drum, Tambourine, 8′
- Jubilance and Lament (Prelude and Fugue in 4 Voices) for String Orchestra (4,4,3,2,1 or larger), 5′
- Far From Home, for Piano and String Orchestra (4,4,3,2,1 or larger), 3’15”
Orchestra - Film Score
- Desire for Symphony Orchestra (1, 0, 1+bass, 0 – 2, 1, 2, 0 – 2 perc, pno, hp, str), Duration: 2’20”
- Bubble Tree for Symphony Orchestra (1, 2, 2, 2 – 2, 2, 2, 1 – timp, 2perc, hp, str), 1’45”
- The Cathedral for String Orchestra (4,4,3,2,1, or larger) and Harp, 2’15”
- Birds for String Orchestra (4,4,3,2,1, or larger), Harp, and Vibraphone, 3′
- War and Peace for Symphony Orchestra (0, 0, 0, 0 – 2, 3, 3, 1 – timp, 5perc, pno, str), electric guitar and synthesizer, 4′
Chorus
- Confitebor Tibi, Domine for SSA Women’s Choir, 4’00”
- Sweet Baby for SATB Chorus a cappella, 4’00”
- Song of the Seraphim for SSAATTBB Chorus a cappella, 6’00”
Voice
- Rubble Becomes Art for Mezzo Soprano, Flute (or Violin), Bassoon (or Cello), and Guitar, also transcribed for: Soprano and Piano, or Mezzo-Soprano and Piano, or Alto and Piano, 14′
- Farewell Dream Garden for Soprano, Flute, String Orchestra (4,4,3,2,1, or larger), 11’30”
Piano
- Days of Innocence for piano quintet, 13′
- Seven for piano solo, 5’15”
- Pearlescent for piano solo, 4’30”
- Impression for piano solo, 3’00”
- Far From Home for piano solo, 3’15”
- The Jubilance – Prelude for piano solo, 2’00”
- The Lament – Fugue for piano solo, 2’45”
- Prelude à la Ravel for piano solo, 1’40”
- Fugue à la Debussy for piano solo, 2’15”
- Midnight Butterflies for piano solo, 1’45”
- Submerged for piano solo, 1’50”
- Tango for a Rainy Day for piano solo, 2’25”
- Lush for Soprano Saxophone, Piano, String Orchestra (4,4,3,2,1, or larger), 2 French Horns, Bass, Drums, 4’30”
- Far From Home, for Piano and String Orchestra (4,4,3,2,1 or larger), 3’15”
- Abandon for Pierrot Ensemble (Flute, Clarinet, Violin, Cello, Piano) and Percussion, 5’15’
- Jackpot for Violin, Cello, Bass Clarinet, Tenor Saxophone, Piano, and Marimba, 4’30”
- Danse Macabre for Piano Trio (Violin, Cello, and Piano), 5′
- Triptych for Cello and Piano, 8′
- Airborne for Flute, Violin, 2 guitars, and Piano, 3’10”
- The Espionage – Flute Concerto for Flute and Piano, 11′
- Two Moods for Clarinet and Piano, 8′
- Two Moods for Soprano Saxophone and Piano, 8′
Harpsichord
- Harpsichord Concerto for Harpsichord and String Orchestra (4,4,4,2,1 or larger preferred, 2,2,2,2,1 possible), 16’20”
Violin
- Life Shifts for violin solo, 7’40”
- Days of Innocence for piano quintet, 13′
- Rubble Becomes Art for Mezzo Soprano, Flute, Bassoon, and Guitar, optional: Mezzo Soprano, Violin, Cello, and Guitar, 13′-15′
- Abandon for Pierrot Ensemble (Flute, Clarinet, Violin, Cello, Piano) and Percussion, 5’15’
- Glossolalia for String Quartet, 6’30”
- Is Now Not Enough? for String Quartet, 8’30”
- Grit and Glitz for String Trio (Violin, Viola, Cello), 8’30”
- Three Monologues for String Quartet, 13’30”
- First In Flight for Vibraphone and String Quartet, 7’45”
- Jackpot for Violin, Cello, Bass Clarinet, Tenor Saxophone, Piano, and Marimba, 4’30”
- Danse Macabre for Piano Trio (Violin, Cello, and Piano), 5′
- Airborne for Flute, Violin, 2 guitars, and Piano, 3’10”
- Fade for Alto Saxophone, Violin, Cello, and Electric Guitar, 4’30”
Viola
- Days of Innocence for piano quintet, 13′
- Awakening for Viola and Piano, 7’15”
- Glossolalia for String Quartet, 6’30”
- Is Now Not Enough? for String Quartet, 8’30”
- Grit and Glitz for String Trio (Violin, Viola, Cello), 8’30”
- Three Monologues for String Quartet, 13’30”
- First In Flight for Vibraphone and String Quartet, 7’45”
Cello
- Days of Innocence for piano quintet, 13′
- Life Shifts for Cello Solo, 7’40”
- Triptych for Cello and Piano, 8′
- Abandon for Pierrot Ensemble (Flute, Clarinet, Violin, Cello, Piano) and Percussion, 5’15’
- Rubble Becomes Art for Mezzo-Soprano, Flute, Bassoon, and Guitar, optional: Mezzo-Soprano, Violin, Cello, and Guitar, 13′-15′
- Glossolalia for String Quartet, 6’30”
- Is Now Not Enough? for String Quartet, 8’30”
- Grit and Glitz for String Trio (Violin, Viola, Cello), 8’30”
- Three Monologues for String Quartet, 13’30”
- First In Flight for Vibraphone and String Quartet, 7’45”
- Jackpot for Violin, Cello, Bass Clarinet, Tenor Saxophone, Piano, and Marimba, 4’30”
- Danse Macabre for Piano Trio (Violin, Cello, and Piano), 5′
- Fade for Alto Saxophone, Violin, Cello, and Electric Guitar, 4’30”
Bass
- Color Me Blue for Soprano Saxophone, 2 Vibraphones, and Double Bass, 5′
Guitar / Lute
- Rubble Becomes Art for Mezzo Soprano, Flute, Bassoon, and Guitar, optional: Mezzo Soprano, Violin, Cello, and Guitar, 13′-15′
- Parting for Baroque Lute or Guitar, 5’00”
- Airborne for Flute, Violin, 2 guitars, and Piano, 3’10”
- Fade for Alto Saxophone, Violin, Cello, and Electric Guitar, 4’30”
Flute
- Rubble Becomes Art for Mezzo-Soprano, Flute, Bassoon, and Guitar, optional: Mezzo-Soprano, Violin, Cello, and Guitar, 13′-15′
- Abandon for Pierrot Ensemble (Flute, Clarinet, Violin, Cello, Piano) and Percussion, 5’15’
- Farewell Dream Garden for Soprano, Flute, String Orchestra (4,4,3,2,1, or larger), 11’30”
- The Espionage – Flute Concerto for Flute and Piano, 11′
- Snow Angels for Woodwind Quintet, 7’30”
- Airborne for Flute, Violin, 2 guitars, and Piano, 3’10”
Oboe
- Snow Angels for Woodwind Quintet, 7’30”
Clarinet
- Abandon for Pierrot Ensemble (Flute, Clarinet, Violin, Cello, Piano) and Percussion, 5’15’
- Two Moods for Clarinet and Piano, 8′
- Jackpot for Violin, Cello, Bass Clarinet, Tenor Saxophone, Piano, and Marimba, 4’30”
- Snow Angels for Woodwind Quintet, 7’30”
Bassoon
- Rubble Becomes Art for Mezzo-Soprano, Flute, Bassoon, and Guitar, optional: Mezzo Soprano, Violin, Cello, and Guitar, 13′-15′
- Snow Angels for Woodwind Quintet, 7’30”
Saxophone
- Lush for Soprano Saxophone, Piano, String Orchestra (4,4,3,2,1, or larger), 2 French Horns, Bass, Drums, 4’30”
- Two Moods for Soprano Saxophone and Piano, 8′
- Jackpot for Violin, Cello, Bass Clarinet, Tenor Saxophone, Piano, and Marimba, 4’30”
- Fade for Alto Saxophone, Violin, Cello, and Electric Guitar, 4’30”
- Invasion of Clowns for Saxophone Quartet, 2’40”
- Color Me Blue for Soprano Saxophone, 2 Vibraphones, and Double Bass, 5’00”
Trumpet
- Ping-Pong, for Trumpet Solo, 1’25”
- Invasion of Clowns, for Brass Quintet, 2’40”
French Horn
- Invasion of Clowns, for Brass Quintet, 2’40”
Trombone
- Invasion of Clowns, for Brass Quintet, 2’40”
Tuba
- Ping-Pong, for Tuba Solo, 1’25”
- Invasion of Clowns, for Brass Quintet, 2’40”
Percussion
- Abandon for Pierrot Ensemble (Flute, Clarinet, Violin, Cello, Piano) and Percussion, 5’15’
- First In Flight for Vibraphone and String Quartet, 7’45”
- Jackpot for Violin, Cello, Bass Clarinet, Tenor Saxophone, Piano, and Marimba, 4’30”
- Color Me Blue for Soprano Saxophone, 2 Vibraphones, and Double Bass, 5′
- Inspector Bergen Returns for Percussion Ensemble, 3’20”